So why are we making a film about
Doctor
Who fans? Well, that’s simple…why not?
Doctor Who is the longest
running Sci-Fi show in TV history with a dedicated fan base that’s rivalled
only (in global
terms) by Star Trek. Forty-three
years of adventures in time and space and forty-three years of fans…that’s
one
hellava legacy.
So, a couple of quick tit-bits from
me. Fav Doctors - Jon and Tom, Fav Stories - The Daemons, Pyramids
of
Mars and Parting of the
Ways, Least Fav - toss up between Twin Dilemma and Paradise
Towers! Fav Monster
- the Daleks (what a surprise),
Fav companions -Sarah Jane Smith and Rose. Right, the reason for those
little
tit-bit’s is that I am a fan. Happy
and proud to be one and have been since the Seventies. Now, many
documentaries take the ‘outside
looking in’ point of view but I wanted to be ‘inside looking in’. Having
a passion
for the subject matter, I want the
film to be a celebration of the fan community and show as large a spectrum
of its many avenues as possible.
But back to the beginning...
The year is 1971. Episode 5 of The
Daemons. My earliest memory of Doctor Who and watching Azal
tower over
the Doctor and Jo Grant in the cavern
at Devil’s End absolutely enthralled me. From that point on, I would watch
religiously week after week. Daleks,
Sontarans, Sea Devils, 'the one with the maggots’ as casual
viewers would
remember it and although I was too
young to work out exactly who the new fella was at the end of Planet of
the Spiders, I still loved these
thrilling adventures in Time and Space.
I would look forward to the omnibus
repeats that the BBC would air over the summer holidays. I would draw very
crude and crappy Doctor Who
pictures, pretend my garden shed was the Tardis and play loudly the edited
LP
recording of Genesis of the Daleks.
Happy days.
But in 1977, another cultural behemoth
appeared to challenge my love of Who. It was called Star Wars and
it
changed my life. Not in any spiritual
way but in what I wanted to. At school, kids wanted to be footballers and
the like but I wanted to work in
films, especially special effects. Well, I didn’t become a special effects
technician
but it did ignite a spark in me.
For three years, it was Star Wars and Doctor Who merchandise
fighting for shelf
space with the Star Wars
action figures clearly in the lead. Well, that film had a hellava lot more
on sale than Who
did so it was inevitable. I still
love Star Wars today but in a more nostalgic way whereas Doctor
Who is still a
constant companion after all these
years.
In 1979, Marvel UK launched Doctor
Who Weekly and I bought two copies, one for me and one for my friend
Barry.
As I left the newsagent, I accidentally
dropped one of them in a puddle and ruined not only the cover but also
the
free transfers attached. OK, I was
in dilemma. Do I give my friend the good copy or the wet one with the soggy
transfers? Sod it, he can have the
wet one with the soggy transfers…I said to him that they both got drenched
and he was none the wiser. What
the hell, he preferred Star Trek anyway!
When the BBC aired their Five
Faces of Doctor Who retrospective in 1981, this was my first proper
glimpse of what
had gone on before. Watching An
Unearthly Child and The Krotons for the first time in all their
monochrome glory
fascinated me. I had tailed off
watching Who during season eighteen and for reasons best known to me at
the time,
preferred to watch Buck Rogers
in the 25th Century on ITV (raise your hands who did the same, I wasn’t
the only one!).
But it was the beginning of Peter
Davison’s time in the Tardis when I became a true fan. I’d considered myself
one
before but now I was a little older
and would collect articles, magazines and anything that mentioned Who.
In 1981, we bought a VCR and for
the first time, had the opportunity to re-watch Doctor Who. The
amount of times
I watched Castrovalva episode
one is anyone’s guess.
I didn’t attend the Longleat Celebrations
in 1983 but did try to visit around this time. We got lost though and
came home. Oh well…
Now, I was never part of the fan
community par se but I joined the Doctor Who Appreciation Society
for a
couple of years and attended conventions
in the eighties and early nineties. My first was Panoptican in Brighton
in 1985 and (along with everyone
else) was lucky enough to see the great Patrick Throughton on a very rare
UK convention appearance. I didn’t
know anyone there accept my old school friend Mark Stammers (who would
go on to co-write and design many
books on Doctor Who) and I would wander about listening to guests
and
browsing the merchandise hall. It
was great; there were other people as mad about this show as I was.
Although Doctor Who was still
part of my teens and early twenties, I found other avenues that occupied
my
time (apart from the obvious). Most
apparent was music (The Wonder Stuff and The Mission were
as much a
part of my early adult life as The
Caves of Androzani and The Curse of Fenric!). I would go to
gigs and festivals
aplenty but still found time for
the good Doctor.
Like every other fan, I was shocked
and saddened when Doctor Who was cancelled in 1989. People have argued
that the quality of the show had
declined by this time but that last season really had kicked into gear
and it
would have been interesting to see
what could have evolved. But there was no more Doctor Who, after
twenty-six years it was off the
air.
But the fans striked back. And striked
back they did. During the nineties, Virgin Publishing produced their New
Adventures range employing
many new writers, Independent filmmakers BBV and Reeltime Pictures were
shooting
exciting spin-off dramas with actors
from the programme and the Internet became the new way of communicating
information. We even had Doctor
Who back briefly as a US TV Movie with the excellent Paul McGann playing
the
Doctor. Unfortunately, although
it performed well in the UK, the US market didn’t pick it up. Bugger…good
try but
it’s back to the fans to keep the
torch alight.
In 1999, Big Finish Productions
acquired the rights from the BBC to produce original Doctor Who Audio
Adventures
featuring past Doctors and companions.
Doctor
Who works beautifully on audio and the company is still going
strong producing quality dramas.
I even appeared in one of the plays but I’ll let you work out which one,
answers
on a postcard please and…oh, never
mind.
Flash forward to 2003. The Fortieth
Anniversary and a lot of back patting and congratulations before the the
announcement that we thought fans
would never hear. New Doctor Who. On telly. On BBC1. On Saturday
evenings. Doctor Who was
returning.
And what a return it was. Exciting,
emotional, slick, inventive and for the first time, a new generation of
children had their own Doctor. Friends
who had never given the old show a second glance were raving about
this wonderful series and would
text their thoughts on the latest episodes.
I love the new show and as it heads
into its third series, I salute Russell T Davies and his team for working
the magic for a new audience whilst
keeping us ‘oldies’ in the loop as well. Many of the series writers
(including Mr Davies), had started
out writing for fanzines and the New Adventure book range and there
they are writing for Who
proper.
Doctor Who used to be called
the children’s programme that adults adored, well thanks to the dedicated
fans and the success of the new
series; it’s now the programme that everyone can enjoy.
Its cool to like Doctor Who
but as us fans already knew…it was damn cool in the first place.
Marq English
Director |